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Primary Sources:Charles Starrett
Proposal Draft: 11/15/99
Primary Sources:Anon. The Caledonia Bagpipe Manual: Historical Background, Basic Tuition, Maintenance. Edinburgh: Bagpipes of Caledonia, 1994.
———. A Collection of Ancient Piobaireachd or Highland Pipe Music: Many of the Pieces Being Adapted to the Piano Forte with Full Instructions for Those Desirous of Qualifying Themselves in Performing on this National Instrument: To Which Are Prefixed Some Sketches of the Principal Hereditary Pipers and their Establishments: With Historical & Traditional Notes Respecting the Origin of the Various Pieces. 2nd ed. Edinburgh: Published by the editor, 1839.
———. Edinburgh University Collection of Historic Musical Instruments. A Check-list of Bagpipes in the Edinburgh University Collection of Historic Musical Instruments. Edinburgh: Edinburgh University Collection of Historic Musical Instruments, Reid School of Music, 1983.
———. The Piping of Patsy Touhey. Dublin: Na Piobairi Uilleann, 1986.
Fleurent, Xavier. Theorie & Pratique de la Cornemuse. Collection MusiLiv. Le Faouet: Liv'editions, 1996.
Henderson, Peter, bagpipe maker. Tutor for the Bagpipe and Collection of Bagpipe Music. Glasgow: Published by the author, 1900.
Hogan, Robert J. “The Irish-American Manual of Bagpiping Instruction.” New York, Facsimile: 1982.
Holleterre, Jacques. Methode pour la Musette Contenant des Principes, par le Moyen desquels On Peut Apprendre a Jouer de Cet Instrument, de Soy-meme au Defaut de Maitre. Avec un Nouveau Plan pour la Conduite du Souflet, & Plusieures Instructions pour le Toucher, &c. Plus un Recueil d'Airs, & Quelques Preludes, dans les Tons les plus Convenables. Paris: J-B-Christophe Ballard, 1738.
Linkletter, Michael. Interview with author. Cambridge MA, 29 August 1999.
———. Interview with author. Cambridge MA, 5 October 1999.
MacCleod, Maclean. “Patron of the Arts.” Interview by Paula Glendinning. The Voice 27 (1998): 20-30.
McDonald, Patrick. A Collection of Highland Vocal Airs, Never Hitherto Published, to Which Are Added a Few of the Most Lively Country Dances or Reels of the Worth Highlands & Western Isles, and Some Specimens of Bagpipe Music. Edinburgh: Johnson, 1784.
Mitchell, Pat, complier. The Dance Music of Willie Clancy: With a Preface by Breandan Breathnach. Dublin: Published for Na Piobairi Uilleann by Mercier Press, 1976.
Murray, Edith. Interview with author. Cambridge MA, 31 March 1999.
O'Hara, Charles P. F. The Gentleman's Musical Repository: Being a Selection from the Ancient and Modern Music of Erin, with a Number of Scotch and Welsh Airs, and Several Original Pieces by the Compiler. Adapted to the Violin, Flute, Flageolet, Hautboy and Union Pipes. New York, Printed for the author, 1813.
The Piobaireachd Society. The Kilberry book of Ceol Mòr. 3rd ed. Glasgow, Distributed on behalf of the Piobaireachd Society by J. Smith, 1969.
———. Piobaireachd: With a Preface and Explanatory Notes. 12 Volumes. Glasgow: The Piobaireachd Society, 1925-1970.
Tulach Àrd. Personal field notes from rehearsal. Lexington MA, 24 April, 1999.
Winternitz, Emanuel. “Bagpipes for the Lord.” In Bulletin of the Metropolitan Museum of Art. (June 1958): 276-286.
Wright, Daniel. An Extraordinary Collection of Pleasant & Merry Humours Never Before Published, Containing Hornpipes, Jiggs, North Cuntry Frisks, Morris's, Bagpipe Hornpipes, & Rounds with Severall Additional Fancis Added, Fit for All Those that Play Publick. London: Wright, ca. 1720.
Secondary Sources on the Great Highland BagpipeAnon. The Bagpipes in Europe. Brussels Museum of Musical Instruments Bulletin 6, no. 8. Buren: F. Knuf, 1976.
Appadurai, Arjun. “Playing with Modernity: The Decolonization of Indian Cricket.” In Modernity at Large. Minneapolis and London: Univ. of Minnesota Press, 1996: 89-113.
Baines, Anthony. Bagpipes. Occasional Papers on Technology 9. Oxford: Printed at the Univ. Press, 1960.
Cadden, Jerry. “The Shotts and Dykehead Caledonian Band.” Ph.D. diss. in progress, Univ. of Chicago, n.d.
Campbell, John Francis. Canntaireachd: Articulate Music: Dedicated to the Islay Association, by J.F. Campbell, Iain Ileach 14th August, 1880. Glasgow: A. Sinclair, 1880.
Campsie, Alistair Keith. The MacCrimmon Legend: The Madness of Angus MacKay. Edinburgh: Canongate, 1980.
Cannon, Roderick D. A Bibliography of Bagpipe Music. Edinburgh: Donald, 1980.
———. The Highland Bagpipe and its Music. Edinburgh: John Donald, 1988.
Cocks, William A., Anthony C. Baines and Roderick D. Cannon. “Bagpipe.” In The New Grove Dictionary of Music. edited by Stanley Sadie. London: Macmillan Press; New York: Grove's Dictionaries of Music, 1984.
Coleman, Jennie. “The Highland Bagpipe in New Zealand: An Exercise in Translocation.” In Tradition and its Future in Music. edited by Tokumaru Yosihiko. Osaka: Mita Press, 1991: 385-89.
Collinson, Francis M. The Bagpipe: The History of a Musical Instrument. London and Boston: Routledge and K. Paul, 1975.
Davis, Amy. “‘Deep in My Heart:’ Competition and the Function of Stepping in an African American Sorority.” North Carolina Folklore Journal. 43, no. 2 (1996): 82-95.
Ducsik, D. “The Worcester Kiltie Band Plays On.” Worcester, MA: Worcester Kiltie Pipe Band, 1999. Photocopy.
Dudley, Shannon Kingdon. “Making Music for the Nation: Competing Identities and Aesthetics in Trinidad and Tobago's Panorama Steelband Competition.” Ph.D. diss., Univ. of California, Berkeley, 1997.
Flanagan, James Francis, Jr. “An Analysis of Piobaireachd as it Relates to the Acoustical Properties of the Bagpipe.” Master’s thesis, Univ. of Nevada, Reno, 1990.
Flood, William Henry Grattan. The Story of the Bagpipe. The Music Story Series. London, The Walter Scott Publishing Co., Ltd.; New York, C. Scribner's Sons, 1911.
Fraser, Alexander Duncan. Some Reminiscences and the Bagpipe. Edinburgh: W. J. Hay, 1907.
Glassie, Henry. Passing the Time in Ballymenone: Culture and History of an Ulster Community. Philadelphia: Univ. of Pennsylvania Press, 1982.<\P>
Grant, Cy. Ring of Steel: Pan Sound and Symbol. London: Macmillan Education, 1999.
Grant, Kerr. “Scottish Pipe Bands in Winnipeg: A Study of Ethnic Voluntary Associations.” Master’s thesis. Univ. Manitoba, 1994.
Mackenzie, Bridget. Piping Traditions of the North of Scotland. Edinburgh: John Donald, 1998.
MacNeill, Seumas. Piobaireachd: Classical Music of the Highland bagpipe. London: British Broadcasting Corporation, 1968.
MacNeill, Seumas and Frank Richardson. Piobaireachd and Its Interpretation: Classical Music of the Highland Bagpipe. Edinburgh: John Donald, 1987.
Manson, William Laird. The Highland Bagpipe: Its History, Literature, and Music, with Some Account of the Traditions, Superstitions, and Anecdotes Relating to the Instrument and its Tunes. Paisley and London: A. Gardner, 1901.
Museo de la Gaita (Gijon, Spain). Museo de la Gaita: Catalogo. Gijon: Fundacion Municipal de Cultura, Ayuntamiento de Gijon, 1992.
Ó Canainn, Thomás. Traditional Music in Ireland. London, Henley and Boston: Routledge and Kegan Paul, 1978.
O'Neill, Francis. Irish Folk Music: A Fascinating Hobby. Chicago: The Regan Printing House, 1910.
———. Irish Minstrels and Musicians: with Numerous Dissertations on Related Subjects. Chicago: The Regan Printing House, 1913.
Phillips, Gordon. “The Northumbrian Smallpipes: An Ethnomusicological Study.” Master’s thesis, York Univ., 1983.
Piobaireachd Society Historical Committee. “A Checklist of Articles on Bagpipes and Bagpipe Music, 1945-1985.” Piping Times 40, no. 6 (1988): 28-33.
Podnos, Theodor H. Bagpipes and Tunings. Detroit Monographs in Musicology 3. Detroit, Mich.: Information Coordinators, 1974.
Proud, Keith. The Northumbrian Small Pipes. Cramlington, Northumberland: Border Keep, 1983.
Richardson, Major General Frank. “Introduction” [to the 1975 reprint]. Pipes of War. Sir Bruce Seton. Reprint of the 1920 edition. New York: British Book Centre, 1975.
Ronstrom, Owe. “Making Use of History—Revival of the Bagpipe in Sweden in the 1980s.” Yearbook for Traditional Music 21 (1989): 95-108.
Ross, Betsy Marlene. “Writings about Scotland’s Music: An Annotated Bibliography.” Ph.D. diss., Claremont Univ., 1993.
Seton, Sir Bruce. The Pipes of War: A Record of the Achievements of Pipers of Scottish and Overseas Regiments During the War, 1914-18. Reprint of the 1920 edition. New York: British Book Centre, 1975.
Stillman, Amy Ku’uleialoha. “Hawaiian Hula Competitions: Event, Repertoire, Performance, Tradition.” Journal of American Folklore 109 (1996): 357-80.
Stobart, H. The Bagpipe: History, Iconography and Repertoire. Early Music Today 3, no. 6 (1995-6):15-17.
Stuempfle, Stephen. The Steelband Movement: The Forging of a National Art in Trinidad and Tobago. Philadelphia: Univ. of Pennsylvania Press, 1995.
Waterhouse, David. “John Wilson and the Highland Bagpipe in Ontario.” In Ethnomusicology in Canada. edited by R. Witmer. Toronto: The Institute, 1990: 307-13.
Secondary Sources on the Highland GamesBrander, Michael. The Essential Guide to the Highland Games. Edinburgh: Canongate, 1992.
Jarvie, Grant. Highland Games: The Making of the Myth. Edinburgh Education and Society Series. Edinburgh: Edinburgh Univ. Press, 1991.
Loten, Sarah. “The Aesthetics of Solo Bagpipe Music at the Glengarry Highland Game.” Master’s thesis. Univ. of Ottowa, 1995.
Webster, David Pirie. Scottish Highland games. Edinburgh: Reprographia, 1973.
Related Secondary SourcesAdler, Thomas A. “Dueling Banjos: Overt and Covert Competition in Amateur Bluegrass Performance.” JEMF Quarterly 21, nos. 75-76 (1985): 9-16.<\P>
Beneviste, Émile. “The Semiology of Language.” Semiotica. Special Supplement (1981): 5-23. Reprinted in Semiotics: An Introductory Reader, edited by Robert E. Innis. Bloomington: Indiana Univ. Press, 1985: 228-46.
Bourdieu, Pierre. The Logic of Practice. Stanford, Calif.: Stanford Univ. Press, 1990.
Breathnach, Breandán. Folk Music and Dances of Ireland. Dublin and Cork: The Mercier Press, 1977.
Chaliand, Gérard and Jean -Pierre Rageau. The Penguin Atlas of Diasporas. A. M. Berrett, Tr. New York, London, Vicoria, Toronto and Auckland: Viking Penguin, 1995.
Connerton, Paul. How Societies Remember. Themes in the Social Sciences. Cambridge, England and New York: Cambridge Univ. Press, 1989.<\P>
———. The Tragedy of Enlightenment: An Essay on the Frankfurt School. Cambridge Studies in the History and Theory of Politics. Cambridge, England and New York: Cambridge Univ. Press, 1980.
de Alaiza, Candi. “The Evolution of the Basque Jota as a Competitive Form.” In A Spectrum of World Dance edited by L. A. Wallen and J. Acocella, 1987: 36-51.
Goertzen, Chris. “Balancing Local and National Approaches at American Fiddle Contests.” American Music 14, no. 3 (1996): 352-81.
———. Fiddling for Norway: Revival and Identity. Chicago Studies in Ethnomusicology. Chicago: Univ. of Chicago Press, 1997.
Hobsbawm, Eric and Terence Ranger. The Invention of Tradition. Past and Present Publications. Cambridgeshire and New York: Cambridge Univ. Press, 1983.
Johnston, T. F. “The Social Context of Irish Folk Instruments.” International Review of the Aesthetics and Sociology of Music 26, no. 1 (1995): 35-59.
Nettl, Bruno. The Study of Ethnomusicology: Twenty-nine Issues and Concepts. Urbana: Univ. of Illinois Press, 1983.
Purser, J. Scotland’s Music: A History of the Traditional and Classical Music of Scotland from Earliest Times to the Present Day. Edinburgh: Mainstream, 1992.
Ranger, Terence. Dance and Society in Eastern Africa, 1890-1970: The Beni Ngoma. Berkeley: Univ. of California Press, 1975.
Reyes, Adelaida. Songs of the Caged, Songs of the Free: Music and the Vietnamese Refugee Experience. Philadelphia: Temple Univ. Press, 1999.
Schacter, Daniel L. Searching for Memory: The Brain, the Mind, and the Past. New York, NY: BasicBooks, 1996.
———. Memory Distortion: How Minds, Brains, and Societies Reconstruct the Past. Cambridge: Harvard Univ. Press, 1995.
Shelemay, Kay Kaufman. Let Jasmine Rain Down: Song and Remembrance among Syrian Jews. Chicago Studies in Ethnomusicology. Chicago: Univ. of Chicago Press, 1998.
Shils, Edward. Tradition. Chicago: Univ. of Chicago Press, 1981.
Turino, Thomas. “Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music.” Ethnomusicology 43, no. 2 (1999): 221-255.
Vecoli, Rudolph J. Editor. Gale Encyclopedia of Multicultural America. Detroit: Gale Research, Inc., 1995.